Filthy Cleaners: Building Nature after Humans
There is nothing malodorous about Gas Works Park. If you take a deep breath in front of the two giant red cylinders that you see as you enter the park, the only smell is that of the fresh water coming from the lake. More than that, the sight of two giant red cylinders in the middle of a green field left behind by the coal and oil processing plant is visually striking and quite beautiful. But this was not always the case. In its heyday, before the 1960s, the Seattle Gas and Light Company used these structures to convert coal and oil into power for the city. The smell was horrible for the residents. But with the introduction of natural gas and other forms of cleaner energy, there was no more use for the smelly structures. The plant was soon abandoned. If past was prologue and the desire to cover this ugly landscape of waste had prevailed, this beautiful park that sits at the edge of Union Lake today would not have been rescued. But fortunately for us, this didn’t happen.*
The filthy grounds were put through a process of regeneration and re-organization to create a new type of landscape that was somewhat revolutionary at the time. Today, the landscape serves as a place of contemplation that inspires its visitors to ask questions such as: Can we actually say that nature and man-made technology are two separate things? That is, What is nature? This is the power of Gas Works Park that was preserved through much effort in the 1960s, especially landscape architect Richard Haag.
Haag was able to sell his vision of restoring and preserving the industrial history of Seattle by convincing the public of the historical and aesthetic value of the industrial scenery. He enrolled them as allies of his vision and together were able to convince the Seattle City Council to approve his restoration plan of the site unanimously. Urban landscape historian Thaisa Way argues that Haag's restored landscape into Gas Works Park that told a story of Seattle: the city's industrial past, its hilly character, and its historical relationship to nature. For instance, a visitor standing on one of the mounds of the Park can see Downtown Seattle and experience how the hilly landscape of the area was leveled and reconfigured to be built into a new city. Moreover, the neighborhood of Ballard is also visible from Park where once the fishing industry thrived by harvesting nature.**
But what is far more interesting is how the restoration was done. Haag used the process of bioremediation, which was cutting edge in the 1960s. This process involved not removing the polluted soil that had made the land barren. Instead, Haag used sludge, oxygen, and bacteria to use up the toxic hydrocarbons from the soil. This way, tiny bacterial life forms (we could call it “nature”) were being used to clean up the mess made by human greed and industrial excess. After Haag put these elements into the landscape, the inhospitable land soon became livable again. However, the worst of the polluted soil was gathered into a mound (called the Great Mound or Kite Hill) under a thick layer of hard clay that allowed rainwater to seep through, and enable the bioremediation process to continue. (It should be noted that years later, this process of regenerating the land was brought under scrutiny as it became evident that bioremediation was not as effective as Haag once believed it to be).
Bacteria as cleaners of the world. Filth cleaning Filth. On the one hand, this is against the basic tenets of germ theory that has driven modern medicine since the late 19th and early 20th century. One legacy of the 20th-century germ theory is the white porcelain toilets in American houses (it made spotting filth easier, they said at the turn of the 20th century)..***
But using life to enable more life isn't so strange if you look at it from the perspective of the history of science, more specifically, the history of biotechnology. The modern uses of life can be traced all the way back to fermentation for products like beer. The 19th-century practice of using these microscopic lives, or zymotechnology, shows that putting life to work is not entirely new. Another example of such uses of life is cells. Historian of science Hannah Landecker, for example, shows how the practice of culturing cells rendered what we consider a body part (that is, "cells") into discrete entities living outside of ourselves and made into tools (she calls them infrastructures to describe how foundational these cells are for the fields of biotechnology, biology, and biomedicine) for biomedical and biological science. The use of life forms like cells and bacteria as resource and technology has expanded so much that it underpins early 21st-century economic practices (what one can call a "bioeconomy").****
The use of microbial life as technology to restore the barren land into a livable and green space has an additional effect on the visitor to the Park, what Elizabeth Meyer describes as "sublime." Meyer doesn't mean sublime in the sense of the "feeling of awe" a viewer feels when looking at the Park. Instead, her use of the concept of "sublime" is linked to a philosopher named Lyotard: it is that which makes you feel as if you’re on the edge - a form of pleasurable thrill you feel when doing something you know can be dangerous. In short, it is a “pleasure in fear.” For instance, nature is sublime for viewers because it signifies a time before humans and thus we are in awe of ancient history when we see the landscape. But this awe is not just about amazement of its beauty. It is about being struck by its majesty because of its god-like quality. The nature one is viewing seems immortal compared to the mortal and short history of humans. It is about trembling before a powerful deity, or pleasure and thrill in fear.*****
What Haag did in Gas Works Parks preserve the industrial structures of the processing plant - the polluting elements such as the metal structures - rather than bulldozing and covering things up. He made the disturbances or "scars" of the past to be a prominent feature of the landscape. Contemplating these, Meyer writes, makes us think about where we were, what we did, what consequences those actions had, and what future lays ahead. That is, we are in awe of technology that produced Seattle – its industrial prowess symbolized by the metal structures - but also hate and fear those signs of the industrial activities because of the dangers they pose to us. Life here depends on bacteria regenerating the soil - and we must keep our fingers crossed that the bacteria will save life destroyed by human actions.
But both of the stories that have been told here - the use of life as technology and nature as being destroyed by humans - reveal an assumption many people hold: the separation of nature and human technology. cNature, in this sense, is made as something static that is ready to be harnessed for humans or protected by humans. In both of these extremes, nature is seen as something to be static. The underlying logic is about human exceptionalism: that humans can harness the world, and thus, should use it as it pleases; or that humans are outside nature and are enemies to it. While it is true that Gas Works Park makes one wary of where reckless consumption can take us, nature and human technology (or "society) seem to go hand in hand, where one cannot exist without the other. Nature, however, is neither out there nor innocent - but that will be the topic of another post.
*David Barnes in his book The Great Stink of Paris and the Nineteenth-Century Struggle Against Filth and Germs writes a great story about how the smell of Paris at a time when such "bad air" was linked to disease cause a mini, city-wide upheaval. The book helps understand how the concept of the source of illness changed in the Western world.
**Thaisa Way writes a great and complex landscape history of Gas Works Park. She argues that a reading of the landscape - and not just the architectural pieces - of the park tells of the complex history that usually gets left out in the telling of the construction of this site. Her article is titled, "Landscapes of industrial excess: A thick sections approach to Gas Works Park."
***Nancy Tomes writes about how the entire sanitary practices of the American public changed with the introduction and acceptance of the germ theory, which the Americans took on zealously. See her book The Gospel of Germs: Men, Women, and the Microbe in the American Life for more thorough history of germ theory in the US
****See Robert Bud's Uses of Life: A History of Biotechnology for a full account of this history of using life, especially for industrial purposes. For a more thorough account of the history of putting cells outside the body and why this is important, please see Hannah Landeckers' book Culturing Life: How Cells Became Technologies. For issues on bioeconomy, see for instance, Melissa Cooper Life as Surplus.
***** An excellent interpretation of Gas Works Park landscape is provided by landscape architect Elizabeth Meyer in her chapter titled, "Seized by Sublime Sentiments" in the edited volume Richard Haag: Bloedel Reserve and Gas Works Park by William S. Saunders